A contemporary dwelling of the Chinese Northwest
Silk Road Courtyard
Rooted in the vernacular wisdom of the Northwest and reinterpreted through modern design: rammed-earth walls, flat roofs and three courtyards held in quiet dialogue with the mountains.
Read it as a handscroll is read — right to left. Scroll to unroll.
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01Landscape
Before the house, the mountain.
The Qilian range stands forty kilometres south, snow on its crest until June. The house is drawn low so the ridge stays whole: stepped volumes follow the natural gradient of an old loess terrace, cutting as little as possible and keeping every existing poplar.
- 3Terraces
- 0.4Avg. cut, m
- 23Poplars kept
Landscape integration
Stepped volumes follow the natural gradient, minimising disruption and preserving existing vegetation.
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02The corridor
A corridor of wells, walls and courtyards.
For two thousand years caravans moved west through the Hexi Corridor, a thousand-kilometre ribbon of oases pinched between the Qilian Mountains and the Gobi. Every day's march ended in the same shape: a wall against the wind, a door, a yard with water. The house begins there.
The Hexi Corridor — westward, as the scroll unrolls
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03Material
Earth that remembers the day.
The walls are rammed from the loess dug for the foundations: sieved, dampened, stabilised with a little lime and pounded in 150 mm lifts. At 600 mm thick they hold the afternoon heat and return it to the rooms after dark, ten to twelve hours later.
- 0km the earth travelled
- 10–12Hours of thermal lag
- 600mm wall
Earth & materiality
Loess walls and timber lintels give thermal mass and quiet; openings are few, deep and precise.
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04Arrival
Six steps from the road to the silence.
A long timber portal is the only opening on the street. Its roof of slatted elm filters the light into bars; six shallow steps lift you out of the dust, and by the last one the road has gone quiet.
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05Plan
Three courtyards, three temperatures.
The plan is a sequence of open rooms. The entry court is for arriving; the tree court, shaded by an old jujube, is for living; the well court at the back is for stillness. Every room opens onto one of them, never onto the road.
Courtyard system
Courtyards organise light, ventilation and circulation, creating layered spatial experiences and privacy.
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06Interior
Rooms that face inward.
Deep reveals in the earth walls cut the high summer sun and let the low winter sun reach the back wall. In the hall a single window, 4.8 metres long, frames the tree court like a painting laid on its side.
- 1A table of elm, 3.6 metres longSeats twelve at New Year
- 2A kang platform, warmed from belowFired with apricot prunings
- 3One window, 4.8 metres, facing the courtSill at 450 mm, a bench
- 4A clay teapot, always warmJasmine in spring, brick tea in winter
- 5Lime-washed niches for booksCut into the 600 mm wall
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07Roofscape
In the Northwest, the roof is a room.
Apricots dry up here in August, families sleep here in the heat of July, and on autumn evenings you can watch weather come off the Qilian an hour before it reaches the door. Every drop of the year's rain runs to a cistern under the well court.
- 180mm rain a year
- 12m³ cistern
- 64m² roof terrace
Flat roof living
Flat roofs carry life outdoors, taking in views and daylight in the Northwest tradition.
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08Night
At night, the walls give back the day.
When the desert cold arrives the earth releases what it stored. The courtyards fill with stars, and the house is finally what it always was: walls, a tree, and sky.
Colophon
“Earth for the walls, timber for the gate, a tree in the court and sky on the roof.” This scroll presents a speculative dwelling for the Hexi Corridor, after the competition board Silk Road Courtyard.
Photographs by Unsplash contributors. Ink landscapes are public-domain paintings. Set in Gloock, Newsreader and Azeret Mono. All names and figures are illustrative.
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