Measured by hand, before any scanner.
A tape, a plumb bob and a drawing board on the terrace. Three of us spent eleven days on the tower and drew each face at 1:20 where we stood.
Fig. 02 — East corner, 2019Before
Mas Torrent · Garrotxa · 1342 / 2024
Casa is a small practice of architects and masons restoring stone buildings in the Pyrenean foothills. We survey every wall by hand, keep what still works, and add only what the building asks for.
A fourteenth-century watch tower, a farmhouse grown around it over four centuries, and forty years of rain through an open roof.
The family who inherited Mas Torrent asked for one thing: make it a house again without making it new. The tower had lost its roof in 1981; the farmhouse was held up by ivy.
We spent the first year only drawing.
A tape, a plumb bob and a drawing board on the terrace. Three of us spent eleven days on the tower and drew each face at 1:20 where we stood.
Fig. 02 — East corner, 2019Before
Blocked arches, re-cut jambs and a Gothic slit window revealed four building campaigns, from the 1342 watch tower to a farmhouse window enlarged in 1790.
Fig. 03 — Slit window, south facec. 1400
Each stone on the north face was numbered and graded: sound, loose or lost. Only six percent needed replacing, all with stone picked from the same fields.
Fig. 04 — Coursing, north faceGraded
Rather than straighten the tower, we tied it: four chestnut ring-beams and lime grout injected into the core. None of it shows from outside.
Fig. 05 — Third floor, ring-beam level+9.10
Once the drawing agrees with the building, we annotate. Nothing is designed before this point. The porch in chestnut is the only new element on this face.
We present each building the way we draw it: plan, section and the photographs that explain them, pinned side by side on a single sheet.
A chestnut frame stands a hand's width off the old wall, bolted to nothing. If it is taken down in a hundred years, the stone will not know it was there.
Joints are pegged, not glued. Tiles on its roof came off the tower in 1981 and waited in the barn.
The palette was set in 1342. We kept it. Every material on site can be repaired by the next mason with the same hands and the same tools, and none of it needs a factory.
No roof, two floors collapsed into the cellar, and a fig tree growing out of the east wall. The walls themselves were sound.
Lime grout injected into the core, loose stones rebedded by number, the fig tree cut and its roots left to rot out slowly.
Chestnut trusses on the ring-beams and 9,400 old tiles laid back. For the first time in forty years, the inside was dry.
New floors hang between the old beam pockets. The stair is a free-standing chestnut frame that never touches the stone.
The family moved in at the first frost. The fire in the hall was lit in the same hearth as in the 1790 inventory.
A restoration is decided in its details. These three took longer to agree on than the roof.
Seven voussoirs had slipped. We propped the arch, lifted them out, numbered them and set them back in lime, in the same order.
Rotten sills spliced with new chestnut. The old glass, where it survived, went back in.
Cleaned with water and soft brushes only. The soot on the capitals was kept. It is part of the record.
A restoration is a conversation with whoever laid the first stone. Our job is to listen more than we speak.Studio principle, pinned above every drawing board
Tell us where it stands and what is left of it. If it is within reach, two of us will come and draw it before we talk about anything else.